название:

Alibis


автор:

Sérgio Mendes & Brasil '66


альбомы: Classics, Volume 18: A&M
рейтинг: ★★★★★ / 4.7 / 724 просмотра
It's nothin' I can put my finger on
But it's there, I swear
It's not somethin' I'm imaginin'Each time you call
I know I'll get your 'working late' routine again
Is there someone I should know about?
Tell me, why do I have this doubt?I'm sure your alibis are watertight
And you're where you have to be tonight
Whoa, oh, but I know you're slippin' away from meI'm know your alibis are watertight
And you're where you say you are tonight
But honey, I can tell, I know the pattern much too well
I don't fool so easily, slippin' away from meYour telephone service says you're out again
Somewhere out there, you've got another rendezvous
I know the way you workYou'll be someplace where no one can check up on you
You think you're in the clear but don't forget
That's exactly the way we metI'm sure your alibis are watertight
And you're where you have to be tonight
Whoa, oh, but I know you're slippin' away from meI know your alibis are watertight
And you're where you say you are tonight
But honey, I can tell. I know the pattern much too well
I don't fool so easily, slippin' away from meIs there someone I should know about?
Tell me why do I have this doubtI'm sure your alibis are watertight
And you're where you have to be tonight
Whoa, oh, but I know you're slippin' away from meI know your alibis are watertight
And you're where you say you are tonight
But honey, I can tell. I know the pattern much too well
I don't fool so easily, slippin' away from meI'm sure your alibis are watertight
And you're where you have to be tonight
Whoa, oh, but I know you're slippin' away from me
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Это интересно:Early careerThe child of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was emerging. Mendes played with Antonio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil.Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Sergio Mendes & Brasil... продолжение
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